Free PDF Underworld: A Novel, by Don DeLillo
April 20, 2011
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Free PDF Underworld: A Novel, by Don DeLillo
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Underworld: A Novel, by Don DeLillo
Free PDF Underworld: A Novel, by Don DeLillo
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Pressestimmen
"There's pleasure on evey page of this pitch-perfect evocation of a half-century." (Malcolm Jones Newsweek)"Underworld is a page-turner and a masterwork, a sublime novel and a delight to read." (Joan Mellen The Baltimore Sun)"Masterpieces teach you how to read them, and Underworld is no exception....Anastonishing piece of prose and a benchmark of twentieth-century fiction, Underworld is stunnigly beautiful in its generous humanity, locating the true power of history not in tyranny, collective political movements of history books, but inside each of us." (Greg Burkman The Seattle Times)Underworld is a “dazzling and prescient novel…A decade after 9/11, it’s worth rereading Don DeLillo’s 1997 masterpiece to appreciate how uncannily the author not only captured the surreal weirdness of life in the second half of the 20th century but also anticipated America’s lurch into the terror and exigencies of the new millennium...A breathtaking set piece…the prologue is a bravura display of Mr. DeLillo's literary powers." (Michiko Kakutani, The New York Times)"Underworld is magnificent book by an American master." (Salman Rushdie)"The book is an aria and a wolf-whistle of our half century. It contains multitudes." (Michael Ondaatje)“His best novel and perhaps that most elusive of creatures, a great American novel . . . . a masterpiece in which the depth and reach of the commonplace are invested with universal scope and grandeur. Underworld is also a thrilling page-turner, propelling us along with realistic characters and those compelling details that make it impossible for them—or us—to escape the past.” (David Wiegand, The San Francisco Chronicle Book Review)“In Underworld, we have a mature and hugely accomplished novelist firing on all cylinders, at the sophisticated height of his multifarious powers. Reading the book is a charged and thrilling aesthetic experience and one remembers gratefully that this is what the novel can do, and indeed does, better than any other art form—it gets the human condition, it skewers and fixes it in all its richness and squalor unlike anything else. The novel is the ‘great book of life’ and as long as there are human beings who are readers it will survive and, with a little luck,even flourish. Don DeLillo’s Underworld is a formidably potent and hugely encouraging testimonial to this undeniable,indomitable and strangely consoling fact.” (William Boyd, London Observer)“The most personal and contemplative of DeLillo’s novels . . . Underworld confirms that contemporary American fiction’s most promising movement involves novels on a large social and historical scale that stretch the norms of narrative and language.” (Vince Passaro, Harper’s)“Underworld surges with magisterial confidence through time and through space.” (Martin Amis, The New York Times Book Review)
Synopsis
A work combining fiction and history in a collaboration that encompasses fifty years gives readers a glimpse into the realities upon which America's modern culture is based and explores the complex relationship between "waste analyst" Nick Shay and artist Klara Sax.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 848 Seiten
Verlag: Scribner; Auflage: Reprint (9. Juli 1998)
Sprache: Englisch
ISBN-10: 9780684848150
ISBN-13: 978-0684848150
ASIN: 0684848155
Größe und/oder Gewicht:
13,3 x 4,8 x 20,3 cm
Durchschnittliche Kundenbewertung:
3.9 von 5 Sternen
90 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 18.192 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
The delivery of my book was a bit outside the expected window. This wasn't really a problem for me because when it arrived it was in good condition
Delillos UNDERWORLD eine literarische tour de force durch die zweite Hälfte des 20. Jahrunderts. Historische Detailtreue, komplexe Erzähltechnik, ein faszinierendes Panoptikum von Personen, beißende Witz, Spannung, etc. Ein absolutes MUSS für Leser amerikanischer Literatur. Nach 827 Seiten und vielen Stunden bedaure ich sehr, daß das Buch um ist.
DeLillo's 11th novel (published 1997) is a hefty tome, dealing with the Cold War and the strangeness of American life during that era, focusing between psyche and panoramic overview, but there are also anticipations of growing terrorism in the new millennium. The author's constant shifts while creating a patchwork of the culture in the second half of the 20th century make a review a rather difficult task. The book only seems to center on Nick Shay who is the source of various storylines that are too kaleidoscopic to get a grip on. In a very loose way they connect on a basis of general paranoia and disconnection.The book opens with a cinematic display of the historic baseball playoff in which the Giants beat the Dodgers. The pitch by Brooklyn Dodger Ralph Branca to New York Giant Bobby Thomson, who won the game in a hit known as "The Shot Heard Round the World." Well, it's October 3, 1951, the same day America learns the Soviet Union has exploded an atomic bomb. This serves DeLillo as a way to demonstrate that two shots are heard around the world and a connection exists between the individual psyche and the realities of the cold war, how the political and the global world invade private lives and how individual events can shape world history. These two events will resonate throughout the book and along the way DeLillo tosses in a large crowd of real-life figures and historical events.As this is Don DeLillo, the book comes with enough irony and satire to satisfy even the most misfortunate misogynist. In the Sonora Desert we find acres of decommissioned military aircraft taken over by a tribe of avant-garde painters who try to transform them into works of art. We meet a notorious graffiti artist who roams the underground of New York. We meet Sister Edgar, who, in the mid 90's, fights a lost war against the decay of the Bronx. We meet a highway serial killer and we meet countless other characters. The novel also carries a bulk of themes and devices DeLillo has employed throughout his body of work: find here the paranoid alienation of "The Names," the shadow of assassination-as-spectacle from "Libra," the intersection of art, violence, economics, and politics of "Mao II," and the exploration of the new American religion, consumerism, that underpinned "White Noise."Underworld, despite the claims made by many critics, may not be enshrined as the Great American Novel. I might even steer readers unfamiliar with this writer first to "White Noise" before urging them to tackle this big book. Nevertheless a lot of America has found its way into this massive work, and it is the author's most ambitious novel.
Actually that comment won't apply to anyone but me. You see, when I was a bit of a younger man and this book came out, I immediately went out and bought it, having never really read Delillo but just having a feeling that THIS was a book to read, I had a recently come off the natural literary high that only greats like Pynchon and Gaddis can give you and I had an idea that this book could attempt those heights. So I went and got it and then . . . other matters occupied me, other books called for my attention, and that large eight hundred page monster just sat there patiently, waiting for me. And then the day came, about a month ago, when I couldn't wait any longer and I must say I've rarely torn through a book so quickly in my life, I'd sit there and honestly debate studying for my upcoming barrages of test or "just reading one more chapter". The opening prologue is utterly brilliant in the juxtaposition of the boy who sneaks in the stadium and the famous men throwing up on each other and the pace and tone never slacken. Unlike Pynchon, Delillo is far more emotional and his characters are people and not just devices to further the plot. The prose glistens and you'll find yourself reading over a particularly choice paragraph to embed some marvelous phrasing in your head and each page seems to have another to add to the collection. And the detail, ah, the details! He casts his eye over almost every aspect of US life during the fifty years of the Cold War and you're there, seeing it through the lives of everyone from the top down, from the people who sit on top of the garbage heaps to the ones who sift through it at the base. With all the hype and praise this book got, I didn't think it could at all surpass my expectations but it did, it ranks as my choice for one of the best books of the decade and simply demands your attention. Granted, it's a large difficult book, eight hundred pages remember and requires a good chunk of your time and focus, but careful reading rewards endlessly, his ear for dialogue has never been better and you'll feel like he's been listening to the people talking outside your house. So it's not for everyone but that doesn't mean you should leave it alone. If you see it snap it up, read it, and pass it on to all your friends. This book proves to me that literature in the tradition of the aforementioned Pynchon and Gaddis and even the older heroes Joyce and Faulkner is alive and kicking in the hands of authors like Delillo.
I have read a number of Don Delillo's books, primarily because people keep telling me he is a great writer and I feel an obligation occasionally to read something 'great'. However, while enjoying parts of his other novels, especially Libra, they at least had the advantage of being relatively short. The pain was not prolonged. This book is huge. I kept expecting to figure out what it was about, but after 400 pages I became reconciled to an ever growing thought - this was just a very long book about garbage. Seriously, it is a book about garbage - landfills and other aspects of trash generating America. One can make much of this, but I didn't feel that Delillo really took advantage of the thematic possibilites. As is true of many contemporary 'serious' writers, he seems to be careful never to be too clear, as if ambiguity were a literary value to always strive for.The characters, plot and ultimate point of this ponderous book are all only dimly realized. Delillo has the talent to craft wonderful passages, but they exist in isolation and don't flow together to make a satisfying book.
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